You are so going to want to order yourself a copy of The Silver Linings Playbook: A Novel by Matthew M. Quick. The book is not released until September 2nd, but it is already racking up much-deserved praise.
Matthew and I have never met in person, but for a few years now have been friends via email. You couldn’t find a more charming and kind-hearted fellow, who is hard working and honest and extremely talented. I couldn’t be happier for his success (which just keeps coming and coming).
Keep your eye on this guy as he is a star in the making (though in my book, he’s already a star).
What a treat! Here is an excellent flash by the darling and dear Katrina Denza at wigleaf—soap–and a wonderful (generous) interview with her at Storyglossia.
If I press a book into your hand and beg you to read it, you will know that I am doing so because I love the book and I want to share that love with you. When you examine the beloved book, you will note how many pages I’ve dog eared. The more dog ears, the deeper my love.
Paul Lisicky’s gorgeous, tender book of essays, Famous Builder, has a dog ear about every other page. I loved it that much.
If you start off your book, very first thing, having to spell your name in a classroom–you’ve got me. Right there. Welcome to every first day of my life.
But then if you carry on with wonderful, evocative, empathetic renderings of your family and childhood neighbors and relatives (Mrs. Fox! I picture her as Anne Bancroft playing Mrs. Robinson) and your own place within this world and your own childhood longings (to become a famous builder of all the wondrous and geeky things), you’ve got me even further.
Lisicky pages through his life and opens old wounds and examines them, but never once paints himself or his family the victim. His parents are human beings and he is a son who tries hard and sometimes fails and sometimes lets go. He is a son who yearns, just as they want him to yearn.
While this is partly a book of coming of age, mostly this is a book of home, and what Lisicky (and his brothers) knows is that home is moving away from you just as you know it is there–home could be a department store on its way out or waterfront homes built on dredge and fill or a hotel room.
Home is in the moment:
“I turn back toward the room. If it were mine to do such a thing, I’d secure this moment with the heaviest anchor: Arden taking up all the space he needs; Beau resting a thick paw on Mark’s forearm; Mark touching my leg as I walk by, just to let me know he’s thinking of me.”
A beautiful, touching book. Read it.
Paula Nangle’s debut novel, The Leper Compound, is a book I won’t soon forget. I’m tempted to call it a novel-in-stories as each chapter is perfectly self-contained and yet the whole does provide one full narrative. Regardless, it is a brilliant effort.
The book starts out with Colleen as a motherless child ill with Malaria and ends with the death of her father and with her mentally ill sister (schizophrenia since childhood) finally finding a mother in their father’s new wife. Throughout, Colleen struggles with her sense of identity and her desire to make sense of life and death–she is a lover, a nurse, a mother–and through it all, an outsider.
All of this could take place anywhere at any time, but it does not: it takes place in the waning years of Rhodesia. A fascinating back drop lending the book political and social overtones and adding to its richness (especially poignant with Zimbabwe so present in the news these days).
I cannot quote from the book as the copy I have is an ARC, but I can tell you this: Nangle can write. In fact, she writes beautifully–her words are moving and yet never overdone. It would have been easy for her to be melodramatic with her subject matter. Instead, she opts for clean, precise language.
I hope to read more from her and I hope that you will look for this book and read it and allow it to move you in the way it has moved me.
Any of you city slickers who imagine small-town life is dull ought to read Laura Benedict’s suspenseful, sexy, and haunting debut novel, Isabella Moon, as this book set in Carystown, Kentucky, proves otherwise. It’s a page turner that is just as much about character as it is about plot. In fact, the characters are richly, artfully drawn with Benedict’s deft hand.
And just who is Isabella Moon? Well, she’s the missing girl who comes back to haunt the novel’s protagonist, Kate, and reveal her secret. But like pulling a thread–one secret revealed leads to another, until all of the town’s ugly skeletons are revealed and we learn once and for all that secrets are dangerous and that buried secrets don’t stay that way for long.
I was drawn to this book when I saw the spooky book trailer last year and I have to say it did not disappoint and many a night after I’d put the book down and shut out the light, I kept the covers pulled up tight under my chin.
If you like books that keep you guessing, that keep you on the edge of your seat, and that present you with believable, sympathetic characters, then this book is for you. Read it.
The wonderful and extremely talented Katrina Denza acted as guest editor Storyglossia’s Issue #27 and I am thrilled that she selected one of my stories for inclusion: Timmy is Dead.
In other news, I’m delighted to announce that Keyhole Magazine Issue #2 (within which you will find my story “Voodoo”) is available for order.
I’m deeply honored by the company I keep in both of these publications and thank the editors for choosing my work.
Wigleaf, an excellent new site for short fiction, has just posted an intriguing interview with Quick Fiction‘s Jennifer Pieroni. This interview is sure to please with such funny, honest, and human moments as this one:
We were at a bookfair once and this woman rounded the corner and started fluttering her arms and making these excited noises. I thought maybe she was about to tell me that we’d published her work or something. Instead she said “Quick Fiction! I have issue nine in my bathroom!” It was a really odd realization for me—that Quick Fiction nine was in that woman’s bathroom and probably others’ too.
The women and girls found within the stories of Rachel Sherman’s short story collection, The First Hurt are flawed–internally, externally–fucked up, marked, imperfect. And that is what makes them so appealing. Within these pages, they show us their dark hearts, their secret bumps, the skin that they pick at. They show us what makes them tick, which is–as the narrator explains in the title story–the first hurt:
My grandmother has only seen me from my neck up. She has never even caught a peek of my terrain of secret skin. On my chest, my back, my arms, I have things growing at the base of me that only I can feel the first hurt of.
And to touch herself in these places, to pick at herself and bring on the hurt is to show herself love. She says:
It’s like magic: you touch your skin with the things you were given–hands and oil and pores. All you are doing is wiping yourself with love.
Shame and pain are equal to love–this is terrain I am quite familiar with, as, I would guess, are many of us.
All in all, it’s a great collection and I recommend it wholeheartedly.

I’m pleased to announce that I am a published memoirist! That’s right my very own six word memoir is included in the excellent new book: Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure. I’m on the same page as my friend, Ellen Meister. For my money, her memoir is the best in the book!
Want to learn more? Here’s the official video:
There are some exciting books coming out soon and I’m sure you’ll want a copy of each:
I’m beyond delighted that I will soon have in my possession a copy of A Peculiar Feeling of Restlessness! This collection of four chapbooks ( Laughter, Applause, Laughter, Music, Applause by Kathy Fish, Wanting by Amy L. Clark, Sixteen Miles Outside of Phoenix by Elizabeth Ellen, and The Sky Is a Well by Claudia Smith) is sure to please. Here’s what the brilliant Pia Z. Ehrhardt has to say about it:
The four brilliant chapbooks that make up A Peculiar Feeling of Restlessness are disarmingly, unabashedly intimate collections by women who know how to tell a story and aren’t afraid to drag the unspoken out into the light of day.
Kim Chinquee is not only a wonderful, supportive person, she’s also a talented writer and I’m excited that I will soon own a copy of her forthcoming collection: Oh Baby. To tantalize you further, here’s the blurb:
A wonderful debut collection of prose poems and flash fictions, short short stories of beautiful precisions and understated passions. While the bricks with which Chinquee constructs her fictions—failed or failing relationships, childhood friendships, the intricacies of family life—are not uncommon, the architecture she creates with them is rare indeed: stories now full of light, now somber, now opening the reader’s eyes to an utterly new space.
I’m a huge fan of Xujun Eberlin–not just of her writing, but of her person. She is an incredible human being who writes more beautifully and clearly in English than many native speakers. That being said, you will want a copy of her soon-to-be-released book APOLOGIES FORTHCOMING. Here is a blurb from Livingston Press:
A totally illuminating collection of stories centered around China’s Cultural Revolution and its aftermath, which, as we learn, continues even today-with both sides still holding out, with “apologies forthcoming.” Xujun Eberlein lived in China during that tumultuous period and now makes her home in America. This, her first story collection, is both disturbing and enthralling.
These books not only represent the fine work of some talented women writers, but also they exhibit the quality work put out by small presses. Go on and support ’em, why don’t you?

