Now here’s an interesting tale of how one woman turned her short fiction collection into a novel–Fear of Flight:

This wasn’t the first time someone had tried to steer me away from short fiction. “Write a novel,” my friends of the longer form told me. “You can’t build a career on short fiction.” Alice Munro, I insisted. Mavis Gallant. Raymond Carver. Grace Paley. Vocational short story writers all. Besides, I had had my share of publications, and my stories were coalescing as a book—not just a short story collection but a linked short story collection, with shared characters, themes, and issues. Linked story collections, as we know, are all the rage. I ignored the advice and sent my manuscript to an agent recommended by one of my short story editors. Thus it was that I ended up in a Japanese restaurant, hearing the raw truth over (appropriately) sashimi.

The agent in question, Nat Sobel, is nothing if not gracious. He ordered a bottle of sake and filled my glass several times before delivering the news: My linked collection of stories was trans-genred. It had a novel inside, a novel just longing to get out. I stared glumly into my hijiki. Although every fiber of my being wanted to protest—Start over? You’ve got to be kidding!—at that moment, I suspected Sobel was right. Perhaps it was the timing. Perhaps it was his conviction. Perhaps it was the sake. I went home with a headache (definitely the sake) and spent the weekend moping.

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